As if we didn’t have enough traffic ‘diversions’

churumuri‘s relentless coverage against the commodification of women continues. This time, we swing the spotlight on the actress Tejaswini Prakash (left) and model Supriya Roy, at an exhibition organised by Karnataka state handicrafts development corporation, at Safina Plaza in Bangalore on Monday.

Photograph: Karnataka Photo News


The commodification of women portfolio

RamyaOne more example of commodification of women

RamyaAnother example of commodification of women

Anu Prabhakar: Another example of commodification of examinations

RamyaLike, bombers get scared looking at bombshells?

RamyaNow, what will those fools do with these kids?

Aindrita RaySurely all that glitters is more than just gold

Jennifer KotwalThe best ice-candy melts before nice eye-candy

RamyaWhat it takes to smoothen some rough blades of grass

Nicole FariaDenims, diamonds, Miss India and the Mahatma

Priyanka Trivedi: See, a brand ambassador always gets good press

RoopashreeObjects in the mirror are closer than they appear

Gul PanagYou are almost tempted to say ‘Intel Inside’

RamyaDon’t ask us what it is, but it sure costs a bomb

Mandira BediIt ain’t so easy to woo an iPhone4 user, sister

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8 Responses to “As if we didn’t have enough traffic ‘diversions’”

  1. Pattu Says:

    But women and pretty stuff go well with each other ! Pretty women, much better. I would want to buy that to adorn my house too..

  2. pdk Says:

    There is a person with a moustache in that picture. Maybe women sporting moustaches is the latest trend. It is becoming increasingly tough to keep up with the times these days.

  3. Filmi Girl Says:

    Tejaswini Prakash! She is a sweetie. I met her once. Very nice girl.

  4. vindy Says:

    atleast they are fully clothed …

  5. Kashinath Says:

    Supriya roy is cute

  6. DoddiBuddi Says:

    Potty Picture Ooh La La!

  7. sanjeeva Says:

    More such diversions are welcome!

  8. Narashardula Says:

    ಈ ಚೆಲುವನು ಕಡೆದ ದೇವನಿಗೆ ವಂದನೆ ಅಭಿನಂದನೆ!
    ಬೊಗಸೆಗಣ್ಣಿನ ಬಯಕೆಯ ಹೆಣ್ಣುಗಳು! ತಿಂಗಳ ಬೆಳಕಿನ ಸುಂದರಿಯರು!
    ಬೆಡಗು ಬಿನ್ನಾಣಗಳ ಒನಪು ವೈಯಾರಗಳ ಮಾಟಗಾತಿಯರು!
    ಕಣ್ಣಿನಲ್ಲಿ ಏನೋ ಮೋಡಿ, ಮೌನದಲ್ಲೂ ಗಾರುಡಿ!

    Thomas Hardy writes in “A Pair of Blue Eyes” .
    One point in her, however, you did notice: that was her eyes. In them was seen a sublimation of all of her; it was not necessary to look further: there she lived.

    These eyes were blue; blue as autumn distance–blue as the blue we see between the retreating mouldings of hills and woody slopes on a sunny September morning. A misty and shady blue, that had no beginning or surface, and was looked INTO rather than AT.

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