As a photojournalist, I have had many opportunities to meet with the rich, the famous and the divine. But one of them stands apart as a great experience: my encounter with Sri Chandrasekarendra Saraswati, the late Paramacharya of Kanchi Kamakoti Peetam.

The swamiji was known for his utter simplicity and austerity even during his active years. Rarely did he travel in a palanquin. He was content to walk from village to village in the manner of the sages of yore. Wherever he went, people swarmed round him. His very glimpse sanctified the devotees. To hear his discourses of profound simplicity was considered a rare experience.

When I went to Kancheepuram, the sage had left the mutt and was living in seclusion on the outskirts of the town in a small hut with mud walls and a thatched roof. The swamiji’s room had a window which opened for him the world he wanted to renounce.

I went near the window and saw the sage, a wisp of a man, staff in hand, squatting on the floor. His head moved quickly, this way and that and his tired eyes looked at me. They were without expression.

I bowed and closed my eyes with the picture of the shrunken saint captured in my mind.

When I opened my eyes. I found the sage still focusing his vision towards me. Then he looked away.

It was a day of silence for the swamiji. He lived in the hut with a few helpers from the mutt in a world of his own. He gave no discourses but preferred to immerse his profundity in silence behind a face which seems to say ‘leave me alone’.

But no one did.

Word had gone round that the great saint had begun his final penance as a prelude to his samadhi.

I had gone there to photograph the seer and ask some questions but I did nothing. After seeing him through the window perching like a bird on the floor in the dim light; his body appeared to need apparently no space. His eyes looked at nothing in particular.

I got the impression that the sage had left his physical presence behind and was away in a realm unknown to us.

The barrier of silence between me and the sage was broken by a loud conversation between an eager bunch of visiting devotees and one of swamiji’s talkative assistants.

I heard him say: “See Sir, the Periyaval does not speak. Someone ought to speak on his behalf. How else will he know about you? His life is simple. He practically eats nothing. We slip in a plate of pori (puffed rice) into his room. There are days when it is left untouched. He sweeps the room himself and refuses any help from us. We are not aware what he does inside his room. Often we find him sitting simply for hours. That does not mean he is not doing anything.”

The sun had come up right above me changing the placid blue of the morning sky into a lifeless haze. I felt I had been totally disarmed. It was time to leave.

I walked up to the window again to see what the saint was doing. He was still there on the floor in an unsleeping mass. Outside, the assistant was busy with a fresh group of visitors. The sage was silent but looked away, struggling to focus his vision beyond me and the noisy crowd.

5 Responses to “T.S. NAGARAJAN”

  1. chandrasekhar.s Says:




  2. Sakshiraj Says:

    Namasthe sir,

    i saw your
    rare photograph of the seven

    legends of Kannada literature sitting together for a discussion

    programme in a studio of Akashvani, Mysore , was taken by me in 1955,

    well before the radio station became All India Radio. If you have more photos of that kind pls let me know. i have given my Email Id.


  3. K.R.Dinakar Says:

    Grand description of a memorable encounter.

  4. krishnamurthy Says:

    The saint of your word portraite, seems, none other than Dakshinamurthy. Thank you for the compassionate writing, sir.

  5. Udayan Sankar pal Says:


    I’m Udayan Sankar Pal, a photographer residing in Visakhapatnam, India.

    The reason I am sending this mail to you is because I have created an ARCHIVE of Photography Exhibitions. Aim of this Archive is to keep records of the exhibitions held worldwide & make this archive as resource for research. We do NOT use this archive for commercial purposes. I’m collecting since 2002 & the archive has more than 3000+ brochures in its collection from around the world. To this effect we would like your help. We would appreciate it very much if you could send me the brochures/ flyers/ synopsis/ invitation cards of your past, ongoing or soon to be conducted photographic exhibitions.

    Kindly revert if you have any queries, I will be happy to answer them.

    Our address:

    Udayan Sankar Pal
    Archive of Photography Exhibition
    3-122/5 Adarsha Nagar
    Visakhapatnam-530040, INDIA

    Looking forward for your help and contribution to enrich this archive.

    Udayan S Pal.

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